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Discovery Communications (DISCA) |


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WIKI ANALYSISSpun off from Liberty Media (LCAPA) in 2005, Discovery is a holding company for two businesses: Ascent Media Group, which helps create and distribute television shows and films; and a 67% stake in Discovery Communications, which creates and distributes programming through cable channels such as Discovery Channel, Animal Planet and The Learning Channel.
Both of DISCA's businesses operate in a highly competitive environment: Ascent competes with many of the same motion picture studios which are its customers--including Walt Disney Company (DIS), News Corporation (NWS)'s Fox Studios--and smaller companies providing post-production services, while Discovery competes with other cable networks operators such as E.W. Scripps Company (SSP) and Viacom (VIA).
Business OverviewDiscovery is a holding company for two businesses: Ascent Media Group, which helps create and distribute television shows and films, and Discovery Communications, which creates and distributes programming through various cable channels.
Business & Financial Metrics[2]In 2009, DISCA generated a net income of $552 million on revenues of $3.52 billion. This represents a 74.1% increase in net income on a 2.1% increase in revenues from 2008, when the company earned $317 million on $3.44 billion in revenues.
Business Segments[3]DISCA has three reportable business segments:
Key Trends, Risks and Forces
Competition
Ascent MediaMany major motion picture studios (Walt Disney Company (DIS), Paramount Pictures, etc) can provide the same services as Ascent in-house, which makes them both customers and competitors of the company. Other competitors include:
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Competitive AdvantageDISCA benefits from Discovery Communications' Discovery, TLC and Animal Planet brands, recognized worldwide. The company also owns one of the largest libraries of nonfiction video content in the world; the nature of its nonfiction programming is such that it appeals to universal audiences and is simple to adapt to international markets (by dubbing over narration into foreign languages.) [14]
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